In February 2013, a driven lady came into my studio with a sincere hope that one day she could call herself a drummer. It is over 2 years from that day, and Sylvia DeSantis has met that goal amongst many others. Sometimes I can’t tell if she is my therapist or student, as plenty of our lessons begin with a deep dive into the challenges of entrepreneurship, a venture we have in common and enjoy learning from one another about. Sylvia is a Director at St. Josephs University, and maintains a clear understanding for education. While intimidating at times, it is quite obvious that she values music lessons and has shown tremendous growth over the past 2 years. When we are laser focused on the drums, there are a number of areas we could be targeting. Having been a student for so long, I watched Sylvia devour several books and drastically improve her competence behind the drum set. It is not uncommon for Sylvia to show up to a lesson in a Foo Fighters shirt or apparel celebrating some other rock band she loves. Therefore it is also not uncommon that we have studied, transcribed, and nailed songs from rock icons such as Soundgarden, Offspring, CCR, Audioslave, REM, The Rolling Stones, and others I’m probably forgetting. Sylvia has been an honor to teach over the past 2 years. I may be her teacher but there is plenty that I have learned from her as well. I’m looking forward to continuing our journey towards percussion mastery together.
Drums Not Drugs
Rhythmic stimulation has a profound effect on the human state of mind. Drumming actually induces deep relaxation, lowers blood pressure, and reduces stress, but contrary to what the 60’s taught us, this enhanced state of mind is achieved without the use of mind-altering chemicals. A study by Barry Quinn, Ph.D. demonstrates that a brief drumming session can double alpha brain wave activity, dramatically reducing stress. The brain changes from Beta waves (focused concentration and activity) to Alpha waves (calm and relaxed), producing feelings of euphoria and well-being.
This is however not always the natural process we would like it to be. Drummers, particularly those in an educational setting, are frequently faced with challenging patterns that require concentration to perform accurately. When unable to execute a task we are hyper-focused on, feelings of frustration and defeat disrupt our ability to complete it. This in turn creates tension, preventing us from arriving at the relaxed state of mind that is necessary to find a rhythmic balance.
I believe this begins with breathing. If we look at our breathing patterns as their own rhythms, we can make the assessment that all living and breathing creatures are innately rhythmic. In moments of intense focus, we experience disrupted breathing patterns, which throw off the natural rhythms our bodies are attempting to create. In a drumming setting, how can we create rhythms when our own bodies are out of sync? The challenging patterns we attempt to play become more accessible when breathing remains consistent, which then leads to easier repetition of the same pattern. By repeating a rhythmic idea over and over, it becomes familiar and requires less focus to execute. Either way, it is an entirely cyclical process.
Think about a group of drummers in a drum circle. The patterns need to work with one another to establish a rhythmic balance. A drum circle not only provides opportunities to connect with our own spirits at a deeper level, but also to connect with a group of other like minded people as it alleviates isolation, and alienation. Music educator Ed Mikenas finds that drumming provides “an authentic experience of unity and physiological synchronicity.” If we put people together who are out of sync with themselves (i.e., diseased, addicted) and help them experience the phenomenon of entrainment, it is possible for them to feel with and through others what it is like to be synchronous and connected. The sound of a drum actually generates dynamic neuronal connections on its own. So while the stereotypical hippie-like drum circle is commonly thought of as a mind-altering activity, it is more powerful to achieve a higher state of consciousness through the brains normal activity, as a response to drumming.
Drummers – Know The Room
Drummers are often discouraged when they can’t get their drums to sound good in the room they are normally kept in. To complicate the issue, they will most likely sound very different in other rooms you play them in. I recall buying a new sweet set of Pearls back in the day and spending many weeks thereafter thinking I made a mistake since the things just didn’t sound good in my basement. They sounded AMAZING underneath the high ceilings of Sam Ash…??? Well, this was my first lesson in acoustics. Now I’m not going to act like I have this down to a science but after many tears and sticks thrown at the wall, I became much better at tuning my drums and more conscious of the way they should sound outside of the room I practiced in. A ballroom, a concert hall, a tavern, an unfinished basement, a recording studio… Your drums will sound very different in all of these rooms. Here are a few tips to consider:
- Keep a muffling device nearby. Whether you use tone control drum rings, duct tape, or moon gel is up to you but something should always stay in your gig bag in case you need to make some last minute adjustments.
- To the same effect, always bring a drum key with you when you set your kit up in another place. You do not want to be on a gig and realize your drums should be tighter and have no way of making that happen. A lot of drum keys nowadays are also keychains. If you are like me, you frequently lose drum keys. Putting them on your keychain will help… Hopefully you don’t frequently lose that too…
- Don’t expect your drums to sound like a recording. The raw sound of a drum is like opera to us drum geeks when tuned correctly but to my points above, they will never sound like a recording that has been EQd, mixed, and mastered without the proper production tools.
- Arrive early to tune your drums. If you are playing in a large room with high ceilings but are used to practicing in your garage, you will need to make adjustments. Allow for the proper time to do this.
- Consider putting studio foam around your practice space if it is an unfinished area. This type of foam absorbs sound so it doesn’t bounce all over the room, creating undesirable and uncontrolled tones. Maybe talk with your buddy who knows a thing or two about sound control to make some recommendations.
- Make sure your heads are not dented and your sticks are not cracked. Your drums won’t sound good ANYWHERE if you don’t take time to address the basics.
Meet my new band…. Oh yea, and my new Entertainment Agency!
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https://www.youtube.com/watch?v=AFrGWx5WNXw
Soul City Shakedown is represented by Jon Ardito Entertainment, a full-scale entertainment and event planning company based in Philadelphia, PA. Operating out of a city with such a rich musical history has allowed JAE to truly embrace the essence of sound and the experiences it creates. Company founder and long-time musician, Jon Ardito, has a passion for providing his clients with what eventually becomes their most cherished moments. It is the smiles on the faces of the crowds we entertain that motivate us to provide exceptional services time and time again.
JAE represents bands and DJs with a common goal to deliver world class entertainment for a diverse clientele. The company is highly adaptable to fit a wide range of needs and budgets. Whether clients prefer a cocktail hour pianist, solo DJ, DJ duo, 3-piece jazz trio or 10-piece dance band with horns, they have the talent to exceed expectations and entertainers fully equipped with equipment and song selections to accommodate a variety of preferences, cultures, and seasons.
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#DrumStudentTabloids: Calvin Boyd
Currently sitting on 2 broken bones in both hands, Calvin has been taking some time off to recover. His highly anticipated return to the studio is scheduled for next weekend and I’m looking forward to getting back in the groove. Calvin loves Classic Rock and Pop music, which is why we are currently working on Jason Mraz and Rolling Stones tunes. Both acts are great examples of drumming that truly carries a groove through their songs without a whole lot of extraneous noise from the percussion department. This is proving to be a great focal point in our lessons as we explore the drums from a functional perspective. When he’s healthy and active, Calvin enjoys squash, baseball, swimming, and adventures in the woods. I think its safe to say we gotta get the drumming in before these summer activities take over. See you next weekend Calvin.
